二十四節気エディトリアル・ビジュアル

A sophisticated layout prompt for GPT-image2 that creates narrow vertical editorial visuals with multi-layered planar spaces and cross-border core forms.

{\arguments name="主题" default="二十四节气之处暑"} の内容に基づき、極めて細長い縦型エディトリアルビジュアルを作成してください。外部の大色場、中央の暖かい白い紙ページ、紙ページに内縮したテーマ画窓が、3つの明確な平面空間を構成します。まず、テーマの状態対比と情緒温度から2つの構造色を導き出し、画面の大部分を覆う硬い水平分界線で描きます。内蔵画窓では、同じ方向と近い比例でこの分区を縮小して繰り返し、外場はより明るく、より空っぽに、窓内はより深く、より密集し、紙の白が全画の最高明度の仕切りになります。画面の重みは中段に集中し、上部には広いタイトル領域を残し、下部には広い情緒の着地点を確保します。紙ページの縁はまっすぐで、重厚な浮遊影を使わず、画窓の下には広い注記帯を残します。

テーマの方向、過程、構造の接続、時間の変化から、連続して識別可能な核心形態を抽出し、中段を貫く単一の斜め軸として組織します。これにより、画窓内部から少なくとも2つの境界を越え、窓枠を押さえ、紙面の余白に入り、外部の色場まで延伸します。越境する形態は完全に連続し、縁を越えた端点には最も明確な識別輪郭を残し、内部のディテールは適度に圧縮します。局部的な形態は斜め軸に沿って密集から疎らになり、他の補助オブジェクトは静かな小型の幾何学的焦点に縮小され、画窓内部に安定して留まり、色場の境界近くに配置されます。水平な色界、縦方向の画幅、矩形の紙ページ、内窓は厳格な正交秩序を維持し、 Only the core theme is given the right to break the rules, establishing space through accurate occlusion relationships rather than relying on perspective or dramatic projection.

On one edge of the theme's movement, arrange a small amount of homologous echoes: enlarge, crop, reduce opacity and contrast of the core form, defocus strongly until only soft color blocks remain, with parts exceeding the canvas; the central subject remains clear, the other side remains clean, giving the flat color field a shallow sense of air and memory. The colors maintain a clear area order, with the two structural colors occupying approximately eighty percent of the image, the theme's mediating color spanning both fields and stitching cold-warm or state differences, and a small accent color appearing twice only at the visual focus inside the window and the text gesture outside the paper at a distance. The specific hues change with the theme, but the relationship where paper white is highest, a small amount of dark outlines hold the structure, and the accent color wins through saturation rather than area remains stable.

The text system continues the order and boundary-crossing relationship of the image. The main title uses a thin, sharp, high-contrast stroke, refined endpoint editing serif skeleton, with Chinese characters adopting a slender, book-like quality and relaxed spacing; convert a key word into a continuous free handwritten fine line, lightly passing through or adjacent to the printed title, forming a personal handwriting that echoes the theme's diagonal axis. Explanatory information is indented to the lower part of the paper, arranged in two sets of small text and date-type micro text; outside the paper below, a set of handwritten text with long endings can be used to connect the second accent color, with only very small metadata retained at the bottom edge. Let the title, image, annotation, and footer decrease in density in sequence, without text pressing against the core identification edges.

Treat the object with non-directional soft daylight and low shadows, allowing the theme to retain limited real materials while still obeying flat color blocks. The entire image is covered with very light art paper fibers, fine print dots, and low-contrast scan grains, with textures in the paper page and frame being slightly obvious, while the external pure color field is more restrained; object edges allow minor print softening and color bleeding, while key outlines and letterforms remain clean. The final image at first glance presents a white paper window in a two-color long strip and a theme form growing continuously from inside the window to outside, then reveals out-of-focus edge shadows, fine headers, handwritten interventions, and micro annotations, forming a modern paper print visual where strict editorial order and vivid sense of time coexist.
Theme: {arguments name="主题" default="二十四节气之处暑"} 

Ratio 3:4

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