極簡平面旅遊海報
A high-end minimalist prompt that reinterprets photos into flat-vector travel posters, inspired by Japanese stationery aesthetics and editorial branding.
Prompt
請將我上傳的每張照片製作成單獨、獨立設計的高級海報。不要製作拼貼或組合多張圖像——每張照片應單獨處理和輸出。使用整體 **3:4 豎版構圖**，畫布分為上下 **兩個相等部分**，嚴格 **1:1 高度比例**，各佔 **50% 的圖像**。
**上半部分** 應保留原始照片，保持主體的身份、結構、姿態、真實紋理、自然光影和原有色彩氛圍。僅應用細膩、精緻的攝影色彩調級，給予它 **藝術雜誌、獨立出版物或展覽攝影** 的風格。為適配格式，如果需要，天空、地面或環境背景可自然擴展，但主體必須 **不被拉伸、扭曲或更改**。
**下半部分** 應提取照片中最可辨識的 **主體、輪廓、姿態和敘事關係**，並將其重構為一個 **高級極簡平面向量旅遊海報** 風格的圖解場景。不要機械地描摹照片。相反，基於原始圖像的視覺個性，提煉最具代表性的主要視覺焦點，並通過 **2-4 個支持元素** 構建，最好地表達環境的氛圍、日常生活的方式、地點的感受，或生活的狀態。無論原始圖像是否包含城市、建築、人物、動物、植物、物體、車輛或自然景觀，下半部分應感覺像一張 **專為該主體定製設計的高級旅遊視覺海報**，而不是應用於所有內容的固定範本。
構圖應根據主體自己的特性進行重組，而不是重複相同的佈局。使用 **一個清晰的焦點、清楚的前景-背景分層、適當的負空間，以及平靜、有序的視覺節奏** 構建圖像。取決於原始圖像，場景可能自然轉化為街道、廣場、濱水區、庭院、通道、平台、以植物為基礎的設置、室內角落、開放景觀，或具有日常生活痕跡的環境片段。主體必須始終保持主要視覺中心；所有其他元素應僅強化 **"這個地點 / 這個物體 / 這個情況"** 的獨特性。避免拼貼式地標堆砌、明信片風格列表或過度敘事安排。如果需要人物，將場景中融入 **3-6 個小規模人物**，自然融入環境，**沒有單一主角**。
整體風格應為 **高級極簡平面向量插畫**：受 **日本文具美學、精品貼紙插畫和現代編輯旅遊品牌** 啟發。使用 **清晰幾何形式、柔軟輪廓、一致線條粗細、平色塊和節制細節**。整體感覺應為 **清新、安靜、精緻和當代**。避免寫實、重陰影、水彩紋理、紙張紋理、複雜筆觸、漸層、擁擠背景和過度細節。
色調應基於從原始圖像提取並協調的 **柔和、通透、略微去飽和的高級調色盤**，同時保持最終結果輕盈且有凝聚力。使用 **淺粉藍、霧藍、天空藍和空氣感冷調藍** 建立主要氛圍；用 **象牙白、奶油白、淡米色、柔和灰綠和建築中性色** 平衡。僅允許少量 **dusty rose 或 muted blush** 作為細膩的強調——用於花卉、服裝、小標誌、遮陽篷或當地裝飾細節——使圖像感覺可呼吸，同時仍保持精緻和分層。
**文字邏輯** 應也成為此風格的一部分。不要簡單地應用城市名稱範本。相反，從原始圖像的 **地點、物體名稱、主題、狀況或氛圍** 提取一個 **簡短標題**，並將其放在 **左上角** 或另一個具有充分負空間的區域。配對一個 **簡短、節制、高雅的標語**。排版應保持 **低調、編輯、寬鬆和高級**，絕不壓過視覺。如果必要，添加少量二級文字、座標風格的註釋或微小的描述性註釋，使文字感覺像來自 **高級旅遊品牌或精品明信片** 的自然視覺身份元素，而不是之後添加的標題欄。
整體結果應感覺像一張 **專為主體設計的高級旅遊海報 / 精品生活風格明信片**：**清新、優雅、安靜、現代和精緻**，具有充分的負空間和放鬆的存在感。**每個海報的下半部分必須有其自己的獨立視覺身份**——你不能僅改變名稱同時重複使用相同的構圖、相同的前景或相同的物體排列。避免任何感覺樣板化、重複、通用或公式化（如標準旅遊海報）的內容。
機器翻譯 — 實際產出作品的是原文 prompt。
原文 Prompt
Please turn each photo I upload into a separate, independently designed high-end poster. Do not make a collage or combine multiple images—each photo should be processed and output individually. Use an overall **3:4 vertical composition**, with the canvas divided into **two equal sections top and bottom**, in a strict **1:1 height ratio**, each occupying **50% of the image**.
The **upper half** should preserve the original photo, maintaining the subject’s identity, structure, pose, authentic texture, natural lighting, and original color atmosphere. Only apply subtle, refined photographic color grading to give it the feel of an **art magazine, independent publication, or exhibition photography**. To fit the format, the sky, ground, or environmental background may be naturally extended if needed, but the main subject must **not** be stretched, distorted, or altered.
The **lower half** should extract the most recognizable **subject, silhouette, pose, and narrative relationship** from the photo, and reconstruct them into a **premium minimalist flat-vector travel poster** style illustrated scene. Do not mechanically trace the photo. Instead, based on the original image’s visual personality, distill the most representative main visual focal point, and build around it with **2–4 supporting elements** that best express the atmosphere of the environment, the way of everyday life, the sense of place, or the state of living. Whether the original image contains a city, architecture, people, animals, plants, objects, vehicles, or natural scenery, the lower half should feel like a **custom-designed high-end travel visual poster** made specifically for that subject, rather than a fixed template applied to everything.
The composition should be reorganized according to the subject’s own character, rather than repeating the same layout. Build the image using **one clear focal point, distinct foreground-background layering, appropriate negative space, and a calm, orderly visual rhythm**. Depending on the original image, the scene may naturally transform into a street, plaza, waterfront, courtyard, passageway, platform, plant-based setting, interior corner, open landscape, or an environmental fragment with traces of daily life. The subject must always remain the primary visual center; all other elements should only reinforce the uniqueness of **“this place / this object / this situation.”** Avoid collage-like landmark stacking, postcard-style listing, or overly narrative arrangements. If people are needed in the scene, include only **3–6 small-scale figures**, naturally integrated into the environment, with **no single protagonist**.
The overall style should be **high-end minimalist flat vector illustration**: inspired by **Japanese stationery aesthetics, boutique sticker illustration, and modern editorial travel branding**. Use **clean geometric forms, soft contours, consistent line weight, flat color blocks, and restrained detailing**. The overall feeling should be **fresh, quiet, delicate, and contemporary**. Avoid realism, heavy shadows, watercolor textures, paper textures, complex brushwork, gradients, crowded backgrounds, and excessive detail.
The color palette should be based on a **soft, airy, slightly desaturated premium palette**, which may be adjusted by extracting and harmonizing the overall color temperature from the original image, while keeping the final result light and cohesive. Use **light pink-blue, misty blue, sky blue, and airy cool blues** to build the main atmosphere; balance them with **ivory white, creamy white, light beige, soft gray-green, and architectural neutrals**. Only allow a small amount of **dusty rose or muted blush** as subtle accents—for flowers, clothing, small signs, awnings, or local decorative details—so the image feels breathable yet still refined and layered.
The **text logic** should also become part of this style. Do not simply apply a city-name template. Instead, extract a **short title** from the original image’s **location, object name, theme, condition, or atmosphere**, and place it in the **upper left corner** or another area with generous negative space. Pair it with a **brief, restrained, tasteful tagline**. Typography should remain **understated, editorial, spacious, and premium**, never overpowering the visual. If necessary, add a small amount of secondary text, coordinate-style annotations, or tiny descriptive notes, so the text feels like a natural visual identity element from a **high-end travel brand or boutique postcard**, rather than a title bar added afterward.
The overall result should feel like a **high-end travel poster / boutique lifestyle postcard** designed specifically for the subject: **fresh, elegant, quiet, modern, and refined**, with generous negative space and a relaxed sense of presence. The **lower half of every poster must have its own independent visual identity**—you must not simply change the name while reusing the same composition, the same foreground, or the same arrangement of objects. Avoid anything that feels templated, repetitive, generic, or formulaic like a standard tourism poster.