Surreal Mixed-Media Charcoal Portrait
A surrealist prompt that blends high-resolution 8K photography with rough charcoal sketching, creating a meta-fictional effect where the subject appears to be drawing themselves into existence.

Prompt
使用{{argument name="subject face" default="上傳的臉部"}}作為參考。一幅令人困惑的超現實主義混合媒體肖像,以上傳的臉部作為參考,在原始工作室環境中拍攝,背景為中性漸變灰色,柔和均勻的柔光箱照明。構圖採用分裂現實技巧,其中主體左側以肉眼可見的皮膚毛孔、皮下散射和逼真質感的超寫實 8k 攝影呈現,而右側突然轉變為白紙上粗糙、筆觸明確的木炭和石墨鉛筆素描。主體的逼真右手穿過胸部,握著一支{{argument name="drawing tool" default="黃色木製鉛筆"}},尖端銳利,實際上在繪製已素描的下頜和頸部輪廓,創造一個自我創作的虛構循環。主體穿著{{argument name="shirt style" default="深灰色長袖圓領襯衫"}},在左邊與沈重垂落的布料相融,在右邊變成鬆散、塗鴉的交叉陰影線和未完成的輪廓筆劃。
影像具有淺景深,焦點對準鉛筆尖和過渡線,結合高端商業肖像美學與原始藝術素描,讓人聯想起班·海恩(Ben Heine)的《鉛筆對相機》風格,高度複雜的質感、體積光線和攝影寫實的光線追蹤。
機器翻譯 — 實際產出作品的是原文 prompt。
原文 Prompt
Using {argument name="subject face" default="uploaded face"} as reference. A mind-bending surrealist mixed-media portrait featuring uploaded face as reference, captured in a pristine studio setting with a neutral gradient grey background and soft, diffuse softbox lighting. The composition utilizes a split-reality technique where the left side of the subject is rendered in hyper-realistic 8k photography with visible skin pores, subsurface scattering, and lifelike textures, while the right side abruptly transitions into a rough, gestural charcoal and graphite pencil sketch on white paper. The subject's realistic right hand crosses the chest, holding a {argument name="drawing tool" default="yellow wooden pencil"} with a sharp tip, physically drawing the sketched outline of the jaw and neck, creating a meta-fictional loop of self-creation. The subject wears a {argument name="shirt style" default="dark charcoal long-sleeve crewneck shirt"} that morphs from heavy, draped fabric on the left into loose, scribbled hatch lines and unfinished contour strokes on the right.
The image features a shallow depth of field focused on the pencil tip and the transition line, combining the aesthetics of high-end commercial portraiture with raw, artistic sketching, reminiscent of Ben Heine's 'Pencil vs Camera' style, highly intricate textures, volumetric lighting, and photorealistic raytracing.