Bruno Diver Character Sheet

A photorealistic character sheet from a film costume and casting department, 16:9 landscape, on a pure white seamless studio background, laid out like a professional character reference board.

Top left, in a clean black sans-serif typeface: the name "BRUNO" set large, and beneath it two lines of small text: "Height: 183 cm" and "Voice: gravel baritone, slow, few words, a rare but loud laugh".

Left half: two full-length costume reference photos of the same outfit worn on the character's body, shown from the base of the neck down to the boots with the head cropped out of frame, standing straight, arms relaxed at the sides, feet together. Front view first, then back view, side by side at the same scale.

Right half: a large, tight portrait of the character's face and shoulders, looking straight into the camera, filling the full height of the frame.

The character: Bruno, a 61-year-old wreck salvage diver who still works in an antique copper diving suit. Shaved head with white stubble, deeply weathered leathery skin with salt-dried wrinkles, broken capillaries across the cheeks and nose, a thin white scar through his upper lip, one eye clouded milky grey from an old pressure injury and the other pale blue, a small gold hoop in his left ear, droplets of seawater on his skin. Expression: tired, steady, unimpressed. In the portrait he still wears the brass collar of the suit, with the helmet off.

The outfit: a heavily worn brown vulcanised rubber-and-canvas diving dress with patched knees and elbows; a tarnished brass and copper breastplate (corselet) bolted around the neck with brass wing nuts; a thick leather harness carrying lead weights on the chest and back; rubber wrist cuffs; a rigging knife in a brass sheath on the hip; enormous lead-soled, brass-toed diving boots strapped with canvas. The back view shows the back plate of the corselet with its air valve and the crossed harness straps.

Photography: real photographs, not CGI, not 3D render, not illustration. Shot on a medium-format camera with an 80mm lens. Soft, even high-key light for the two costume views. The portrait is lit by one large soft key light from the left with gentle falloff into shadow on the right side of the face, like a still from a prestige film. True-to-life skin with visible pores, fine facial hair, natural asymmetry and imperfections, no beauty retouching. Accurate fabric weave, wear and stitching. Clean layout with generous white space.

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