Fairy Tale Woodcut Engraving Style

Based on the subject, action, and spatial relationships of the input image, generate a fairy tale woodcut-style image. First, extract a large-area low-brightness or high-contrast structural field from the image content, allowing it to become a container, path, framework, or density layer wrapping the subject; the subject is redrawn with graphic representation instead of photo-like details, compressed into one or two clear large blocks, using blunt silhouettes, slightly exaggerated proportions, and a few key edges to preserve identity, action, function, and emotion. The most important information appears only in small-area high-saturation color blocks, concentrated on faces, postures, paths, functional points of objects, environmental markers, or narrative focal points, and is always pressed down by dark structures or light negative shapes, making the image vibrant but not uniform. The background grows from the spatial and meaningful content of the input, cutting the subject's edges like a shell where the story occurs, forming a structural narrative of obstruction, cropping, engulfment, and partial exposure. Colors maintain a three-layer relationship: large-area dark structural colors responsible for weight and boundaries, moderate light colors or blank space responsible for breathing, and small-area high-saturation emotional colors responsible for visual path and story signals; the hue changes with the emotional temperature of the theme, but the area proportion and brightness order remain stable. Adopt flat narrative perspective, organizing reading with overhead compression, lateral movement, frontal framing, path guidance, scale jumps, or edge cropping, with the space presenting picture book page-like flat levels. Lines only appear where functional, for paths, boundaries, textures, and identification, keeping sparse, hand-drawn, slightly inaccurate thin lines; all color blocks remain flat, but edges have dry brush, particles, flying white, paper texture, spray dots, and slight misregistration offset, like a handmade image completed by screen printing and pastel crayons. If text is needed, let the text become small signs, object panels, or edge annotations in the image, with round and blunt font shapes, slightly uneven thickness, low density, conforming to the graphic structure. Overall, maintain low detail and high recognition, dark fields wrapping bright color signals, cute narrative and heavy woodcut coexisting in the same author's language.

Machine-translated — the original is what produced this result.

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