Ming Dynasty Hanfu Wedding Portraits

Based on the two clear real-life photos uploaded by the user, generate high-budget, realistic, shootable Ming-style Hanfu wedding photos. Must retain the real identity characteristics of both individuals, including face shape, facial feature proportions, eyes, nose, lips, skin color, age perception, temperament, height and body type differences, and recognizability. Each photo should clearly show the same real couple; no face-swapping, no influencer fake faces, no excessive Westernization, no over-smoothing skin, and no obvious AI artifacts.

The overall theme is Ming-style Hanfu wedding photos; attire, makeup, hair, accessories, props, and scenes should reference real Ming dynasty wedding aesthetics, shot with the quality of high-end wedding studio sample photos, dignified, grand, splendid, restrained, and ceremonial.

Character Settings
Bride
The bride wears Ming-style red wedding attire, with a form that conforms to Ming-style wedding aesthetics. Options include phoenix crown and rosy cloud shawl, brocade large-sleeve jacket, round-collar robe, jacket and skirt, hanging shawl sash, cloud collar, etc. The fabric should be thick, with clear textures of brocade, embroidery, kesi (cut silk), and zhuanghua (painted fabric). Patterns should primarily feature traditional auspicious motifs such as phoenix, peony, cloud scrolls, medallions, sea waves and cliffs, cranes, etc.
The bride's headpiece is a Ming-style phoenix crown, with layered details including golden phoenixes, kingfisher blue accents, pearl tassels, gem inlays, flower trees, hairpins, buyao (dangling hairpins), etc. Craftsmanship should be complex, noble but not cheap.
Hairstyle must be center-parted and slicked back hair, low bun, classical hair bun, or circular bun; no loose modern long curly hair, no Qing dynasty flag headdress, no Tang style high bun.
Makeup is high-budget wedding retouched makeup: fine and clean base makeup, clear and sharp eyebrow shape, delicate eye makeup with spirited eyes, natural distinct eyelashes, slightly upturned eyeliner, clean mid-face, and lip makeup in true red or deep red, overall dignified, noble, and classical.

Groom
The groom wears Ming-style red round-collar robe or formal Ming-style wedding male attire, with clear chest badges or brocade patterns, thick fabric, crisp clothing folds, complete details like jade belt, waist sash, black boots, etc., and wears a black gauze cap or futou on the head, overall clean, refined, gentle, scholarly, and ceremonial.
The groom should not always be in the same angle; must appear in the set with full face, 3/4 side profile, side profile, seated full face, walking dynamic, bending interaction, etc. different states; cannot always stand behind the bride's right side; cannot always have only a faint smile and head down.

Fixed Attire Settings (Suggested to add directly to master control)
Attire Continuity Requirements
In the entire set of wedding photos, the bride and groom must maintain the same fixed Ming-style wedding attire; cannot change clothing styles, headpiece structure, main patterns, main colors, or overall styling due to scene changes. Different photos only allow seeing different parts of the attire due to shooting angles, actions, shot sizes, but must essentially be the same wedding outfit.

Bride's Fixed Attire Settings
The bride consistently wears the same Ming-style red wedding attire, with an overall phoenix crown and rosy cloud shawl wedding look. Clothing structure is fixed: main body of red wedding attire, magnificent phoenix crown, hanging shawl sash, classical jacket and skirt or large-sleeve formal dress structure.
Main clothing color fixed as true red + gold embroidery + a few kingfisher blue headpiece details.
Clothing patterns fixed as phoenix, peony, cloud scrolls, medallions, sea waves and cliffs, and other traditional auspicious motifs; overall style is luxurious, solemn, intricate; do not change pattern logic with each photo.
Phoenix crown fixed as Ming-style phoenix crown, with golden phoenixes, kingfisher blue, pearl tassels, gem inlays, symmetrical large wings or magnificent layered structure. The overall structure of the phoenix crown must be consistent from front to back; cannot be a golden crown in one photo and a completely different headdress in another.
Hairstyle fixed as center-parted and slicked back hair, low bun, classical hair bun; cannot have a bun in one photo, loose hair in another, and a different dynasty style in yet another.
Makeup fixed as dignified and delicate Chinese bride makeup, true red lips, clean base, clear eyes and brows, overall classical and noble.

Groom's Fixed Attire Settings
The groom consistently wears the same Ming-style red round-collar robe wedding attire, with a fixed style black gauze cap or futou on the head.
Robe main color fixed as true red, with fixed chest badges or brocade patterns, fixed waist sash, overall thick and crisp, dignified and formal.
Groom's cap style, robe form, badge position, color matching logic must all be consistent from front to back; cannot change style with each photo.

Attire Consistency Emphasis
In all images, do not change the wedding attire, do not change the headpiece, do not change the main color, do not change the pattern system, do not change from one Ming-style wedding outfit to another different style of Ming-style wedding outfit.
All scenes default to the same couple, the same Ming-style wedding attire, the same wedding photo shoot plan.

Scenes and Props
Scene is high-budget Chinese wedding studio shoot or ancient building bridal chamber interior, including red curtains, Ming-style wooden furniture, happy character hall scrolls, palace lanterns, dragon and phoenix candles, round fans, red veil, union wine vessels, happy plates, blue and white porcelain, carved windows, red bed curtains, dark wooden beams, screens, etc.
Props should be exquisite and realistic, serving the character relationship, not too cluttered, not like a studio filled with props.

Lighting Requirements
Overall lighting is warm red-gold cinematic Chinese wedding lighting.
Must have depth, not a flat red.
Can use:
Warm key light to shape character faces and attire texture.
Candlelight for partial atmospheric accents.
Soft window light or side-backlight to outline phoenix crown tassels, pearls, fabric textures.
Shadows retain dark wood color and red layers.
Overall should look like a ten-thousand-yuan-level Chinese wedding sample, not ordinary studio red background photos.

Expression, Action, Gaze, Composition Unified Requirements
This set must clearly avoid repetition. Each photo must vary in expression, gaze relationship, action interaction, shot size, camera position, groom's standing position.
Must achieve:
In different photos, characters cannot always have the same smile.
In different photos, cannot always have the two looking at each other.
In different photos, cannot always have front-facing side-by-side standing.
The groom must have at least 3 photos where he is the action initiator or focal point of the frame.
Must appear looking at camera, looking at each other, looking at props, head down in contemplation, averted gaze, etc. different treatments.
Must appear full body, three-quarter body, half body, close-up.
Must appear eye-level, slightly low camera angle, slightly high camera angle.
Actions should be restrained, elegant, and polite; no vulgar intimacy, no modern idol drama-style hugging.
Image and Output Requirements
Each image is a standalone shot, 3:4 vertical composition, high definition, cinematic feel, high-end wedding sample quality, clean image; no collages, no grids, no text, no logos, no watermarks.

Issues to Avoid
Avoid Qing dynasty style, Tang dynasty chest-high style, Song dynasty清淡 style, Korean hanbok feel, theatrical costume makeup feel, cheap studio red cloth background, modern loose hair, repetitive groom angles, fake character faces, deformed fingers, blurred clothing patterns, incorrect phoenix crown structure, proportion imbalance, strange perspective, excessive skin smoothing, stiff expressions.

Prompt 01 | Main Wedding Ceremony Poster
Please generate a Ming-style Hanfu wedding photo main poster.
Bride and groom stand in the center of the bridal chamber, with a large happy character hall scroll and red curtains behind, flanked by palace lanterns and dragon and phoenix candles, dark Ming-style wooden furniture as background.
Bride wears red phoenix crown and rosy cloud shawl, phoenix crown magnificent and intricate with clear kingfisher blue, golden phoenixes, pearl tassels, and gem layers, hairstyle is center-parted and slicked back low bun, makeup dignified and delicate, holding a red embroidered round fan, fan placed at lower chest area.
Groom wears red Ming-style round-collar robe, with delicate chest badges, black gauze cap, thick and crisp clothing fabric.
Both look at camera, expressions solemn, calm, dignified, with the formality of a main wedding shot. Groom must have a clear full face, cannot be just an accessory.
Composition is full body vertical, slightly low camera angle, emphasizing clothing silhouette, phoenix crown, robe, and overall aura.
Lighting is warm red-gold key light, character faces clear, clothing embroidery and phoenix crown jewelry with highlight details, overall grand, solemn, and noble.

Prompt 02 | Gaze Before Bowing to Heaven
Please generate a Ming-style dual-person photo with a pause feeling before bowing to heaven.
Scene is wedding interior with red curtains, front has an altar table with dragon and phoenix candles, union wine vessels, happy plates.
Bride wears red Ming-style wedding attire, complete phoenix crown and rosy cloud shawl, holding round fan but slightly lowered, revealing full makeup and red lips.
Groom wears red round-collar robe, black gauze cap, standing opposite the bride, maintaining a polite close distance.
Action: groom gently holds the bride's sleeve or wrist, bride slightly raises eyes to look at groom.
Gaze relationship is bride looks at groom, groom looks at bride.
Expressions: bride gentle, reserved, slightly shy; groom solemn, focused, with a hint of appreciation, not just template smiles.
Composition is three-quarter body eye-level camera, focusing on the relationship between the two, gaze, hand actions, hanging shawl sash, and clothing patterns.
Lighting primarily warm key light, candlelight in background and on table forming atmospheric points, making the image both solemn and emotional.

Prompt 03 | Groom Adjusting Bride's Phoenix Crown
Please generate a Ming-style wedding interaction candid shot.
Scene is a corner of the bridal chamber, with red curtains, dark wooden furniture, and partial candlelight in background.
Bride seated on Ming-style carved chair or luohan couch edge, wearing red phoenix crown and rosy cloud shawl, lightly holding round fan, body slightly angled towards camera, head down not looking at camera.
Groom stands behind and to the side, wearing red round-collar robe, black gauze cap, hands gently adjusting pearl tassels, buyao, or shawl shoulder of bride's phoenix crown.
Groom needs to show a clear 3/4 full face, cannot be only a blurry side profile.
Expressions: bride quiet, dignified, reserved with a faint smile; groom focused, gentle, natural, with a real sense of care.
Action interaction like adjusting appearance before wedding, restrained, natural, intimate but not exaggerated.
Composition is half body to three-quarter body, slightly high camera angle, highlighting phoenix crown craftsmanship, tassels, hand actions, clothing embroidery details.
Lighting uses soft side light and warm ambient light, pearls and gold jewelry with delicate reflections, image exquisite and quiet.

Prompt 04 | Moment of Lifting the Red Veil
Please generate a Ming-style wedding veil-lifting ceremony photo.
Scene is red bridal chamber interior, with happy character, red bed curtains, Ming-style wooden windows, dragon and phoenix candles, and warm candlelight in background.
Bride sits on wedding bed or couch edge, wearing complete Ming-style red wedding attire and phoenix crown and rosy cloud shawl, head covered with red veil.
Groom stands directly in front, slightly bending, wearing red round-collar robe, hands gently lifting a corner of the red veil.
Red veil half covering, revealing bride's makeup, red lips, and quiet, restrained gaze.
Gaze relationship is bride looks gently at groom from under veil, groom focuses on bride.
Expressions: bride with a hint of shyness and smiling; groom gentle, solemn, slightly amazed.
Composition is medium shot vertical, red veil as visual center, character distance closer than previous shots but still restrained.
Lighting soft, candlelight and warm key light together shaping, making red layers rich, phoenix crown, red veil, facial details all clear.

Prompt 05 | Union Wine Ritual
Please generate a Ming-style wedding union wine dual-person ritual photo.
Scene is at wedding table or luohan couch, table with union wine cups, wine pot, happy fruits, red candles, small trays.
Bride and groom sit side by side or opposite, each holding a wine cup, arms naturally crossed, preparing to drink union wine.
Bride wears phoenix crown and rosy cloud shawl, round fan can be placed on table or lap.
Groom wears red round-collar robe, black gauze cap properly.
This photo should not have the two still looking at each other; instead, both look down at wine cups or at the crossed hand actions.
Expressions: both quiet, solemn, focused, ceremonial.
Actions restrained, elegant, sleeve and robe cuffs naturally drooping.
Composition is half body to three-quarter body, eye-level camera, focusing on cup-crossing action, hand lines, candlelight, table objects, and clothing details.
Lighting primarily warm candlelight atmosphere, with soft key light, gold-thread embroidery, porcelain, and cup details very exquisite.

Prompt 06 | Strolling with Lanterns
Please generate a Ming-style wedding attire dual-person walking photo.
Scene between red curtains and Ming-style corridor, background with palace lanterns, wooden lattice windows, dark wooden beams, foreground can have a layer of blurred red veil.
Bride and groom walk slowly side by side, can jointly carry one red palace lantern, or one each.
Bride wears phoenix crown and rosy cloud shawl, skirt hem and large sleeves naturally swaying with steps.
Groom wears red round-collar robe, steps steady, robe has flow.
Action: groom slightly walks ahead half a step, becomes action leader, turns head to gently look back at bride; bride looks down at lantern or gently looks back at groom.
Expressions: both softer, with a sense of tacit understanding after wedding.
Composition is full body vertical, slightly low camera angle, must have a slight candid feel, cannot be completely posed.
Lighting: warm lantern light illuminates characters and attire gold threads, background maintains deep red and wood color layers, image has flow, atmosphere, and sense of space.

Prompt 07 | Groom-Dominant Seated Portrait
Please generate a Ming-style dual-person wedding photo with strong groom presence.
Scene is formal bridal chamber interior, with happy character hall scroll, red curtains, Ming-style desk and palace lanterns in background.
This photo has the groom seated on a Ming-style chair, wearing red round-collar robe, black gauze cap, must have clear full face, seated posture dignified but relaxed, hands lightly resting on knees or holding a tablet, temperament calm, refined, dominant.
Bride stands at his side or slightly close, wearing phoenix crown and rosy cloud shawl, holding round fan, body slightly oriented towards groom.
Gaze can be designed as bride looks at groom, groom looks at camera, or both look at camera but groom has more focal weight in the frame.
Expressions: groom composed, steady, dignified; bride gentle, noble, dignified.
Composition is three-quarter body to full body, eye-level or slightly low camera angle, focusing on changing character relationship, breaking the issue of 'groom always only as accessory'.
Lighting should be more formal, face clean, clothing volume and wooden environment layers clear.

Prompt 08 | Close-up at Window for Ending
Please generate a quiet ending Ming-style wedding attire dual-person close-up.
Scene is in front of carved window or quiet corner of bridal chamber, background with blurred red curtains, partial happy character, candlelight and dark wooden furniture.
Bride and groom sit closer together.
Bride wears phoenix crown and rosy cloud shawl, holding red embroidered round fan, fan lightly resting against chest or slightly covering lower face.
Groom wears red round-collar robe, close to bride's side, but actions restrained, only creating spatial closeness.
Gaze relationship set as bride looks at groom from above the fan, groom quietly looks at bride's side profile, both not looking at camera.
Expressions: bride reserved, clear, with a light smile; groom gentle, quiet, strong appreciation.
Composition is close-up to half body vertical, highlighting phoenix crown, tassels, makeup, fan embroidery, groom's side profile, and atmosphere between the two.
Lighting uses soft window light and warm fill light, making character faces smooth and layered, high-class, like the emotional ending page of the entire wedding photo set.

Machine-translated — the original is what produced this result.

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