Watercolor Postcard Ticket Style Poster

Please create an independent high-end design poster for each photo I upload, without multi-image collages, outputting each photo separately. The overall layout should use a 3:4 vertical composition, with the upper and lower areas strictly 1:1 in height, each occupying 50% of the frame.

The upper half retains the original photo, maintaining the main subject structure, authentic textures, natural lighting, and original color atmosphere, only with minor high-end photography color grading to give it the texture of art magazines, travel publications, and exhibition photography. To adapt to the frame, the sky, ground, or environmental background can be naturally extended, but the main subject must not be stretched, distorted, or altered.

The lower half extracts the most recognizable **main subjects, silhouettes, poses, and narrative relationships** from the photo, reinterpreting the original scene into a horizontal watercolor ticket strip that combines postcard and ticket forms. Not isolating a single object, but preserving the most memorable relationship between the main subject and necessary environment, reorganized with concise watercolor strokes, so that the image corresponds at a glance to the photo above, yet feels like a carefully collected travel sketch ticket.

The ticket body is centered and suspended in a large ivory white margin, using a strict **left-large-right-small geometric partition**: the left side about 74% is the watercolor image, the right side about 26% is the information ticket stub, precisely separated in the middle by a vertical dashed line, perforations, or tear-off line; top and bottom margins are uniform, with images, text, stamps, numbers all following the same implicit grid and alignment lines, forming a neat, quiet, professional editorial order. The card stock is thick matte watercolor paper with fine serrated edges and a very slight natural shadow.

The left watercolor uses a **high-brightness, low-to-medium saturation healing color palette** to reblend the original colors, not directly copying dirty gray values. Prioritize retaining the freshest, most vibrant colors from the original image, then uniformly translate into soft sage green, mist blue, light cyan-gray, cream yellow, warm sand, light terracotta, and other natural composite color families; establish an airy feel with 2–4 analogous colors, using only a very small amount of warm accent color to highlight the main subject. The overall should be bright, clean, transparent, and soft, avoiding gray haze, yellowing, heavy brown, clashing colors, and cheap vintage filters.

Watercolor strokes are clear and light, preserving paper transparency, soft blending, wet-dry variations, and a slight grain, with the main subject slightly clearer, and distant views and secondary environments naturally fading, not attempting realistic lighting or complex details, giving the image a quiet, relaxed, gentle picture book and travel journal feel.

The right ticket stub uses a restrained **geometric information typography system**, flexibly generating fields like DATE, PLACE, SUBJECT, MOMENT, FIELD, NO. etc. based on the photo content, paired with dates, numbers, short lines, dot lists, coordinate-style numbers, and a circular stamp. All text is strictly aligned along a unified left baseline and spacing, with clear font size hierarchy and ample white space; the stamp can slightly overlap with the dividing line or bottom grid, creating a clever relationship between information elements and ticket structure, rather than scattered randomly. If not a city or travel theme, the place field can naturally transform into object names, states, projects, chapters, seasons, or emotional records.

Overall reference **high-end travel postcards, vintage tickets, artist journals, watercolor publications, and modern editorial design**, emphasizing healing colors, geometric order, paper texture, and collectible feel, presenting a fresh, gentle, quiet, neat, refined, and not over-designed visual temperament. Avoid dirty old tones, loose typography, floating information, complex decorations, realistic illustrations, e-commerce template feel, and cheap vintage effects.

Machine-translated — the original is what produced this result.

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