Minimalist Abstract Geometric Deconstruction Poster

Please create an independent high-end design poster for each photo I upload, without multi-image collages, outputting each photo separately. The overall layout should use a 3:4 vertical composition, with the upper and lower areas strictly 1:1 in height, each occupying 50% of the frame.

The upper half retains the original photo, maintaining the main subject structure, spatial relationships, authentic textures, natural lighting, and original color atmosphere, only with minor high-end photography color grading to give it the texture of art magazines, independent publications, and exhibition photography. To adapt to the frame, the environmental background can be naturally extended, but the main subject must not be stretched, distorted, or altered.

The lower half uses a clean ivory background, extracting the most recognizable main subjects, silhouettes, poses, and narrative relationships from the photo, transforming them into minimalist abstract visuals following the logic of "deconstruction—selection—refinement—reconstruction". Focus on preserving the most unique volume ratios, axes, curves, interweaving, layering, occlusion, negative space, and asymmetrical relationships, reorganizing with a few geometric shapes; do not completely replicate details, but ensure that the correspondence with the original image above is immediately apparent. Composition should emphasize visual center of gravity, scale differences, hierarchical levels, positive and negative forms, and white space rhythm, avoiding iconography, even arrangement, and fragmented accumulation.

Color palette should all be extracted from the photo above and simplified into 1 main color, 1 dark structural color, 1 light/neutral color, with at most a small amount of key accent color. Prioritize retaining the most distinctive and vibrant colors from the original image, establishing hierarchy through area proportions, depth relationships, and local contrasts, keeping it clean, restrained yet lively, avoiding overall graying and average coloring.

Text should establish a complete high-end editorial micro-typography system: extract a 2–5 word poetic English main title from the photo's light and shadow, space, actions, textures, or emotions, accompanied by 2–4 sets of minimal auxiliary text, which can be freely combined from short phrases, state words, location or object information, numbers, chapter markers, sequence numbers, scale numbers, direction words, material words, archive-style labels, or miniature descriptions, not using years. The main title handles emotion, while small text handles order and detail, making the text feel like editorial annotations in art books, architecture journals, or exhibition catalogs, not ordinary titles.

Text must be composed together with the abstract graphics, arranged along geometric axes, edges, outlines, or negative space, or placed vertically, rotated, in columns, with expanded letter-spacing, flush to edges, tucked into corners, spanning color blocks, embedded between forms, or interweaving and aligning with the main subject; allow one set of text to be extremely small, another slightly larger, establishing a reading path through font size contrast, letter-spacing, direction, and position. Use restrained serif fonts and thin editorial font combinations overall, letting abstract forms handle visual memory, and text handle structure, rhythm, and sophistication.

The overall presentation should have the visual temperament of real photography × abstract memory × editorial typography, modern, quiet, restrained, refined, artistic, and with a collectible feel, avoiding complex collages, cheap decorations, commercial template feel, and meaningless abstraction.

Machine-translated — the original is what produced this result.

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