Chinese Aesthetic Window Scenery Poster

Please create a separate, high-design poster for each photo I upload, without collaging multiple images; output each photo individually. The overall design should use {argument name="poster aspect ratio" default="3:4 vertical composition"}, with the top and bottom areas strictly in a 1:1 height ratio, each occupying 50% of the canvas.

The upper half retains the original photo, maintaining the main structure, realistic texture, natural lighting, and original color atmosphere, with only slight, high-end photographic color grading applied to give it the quality of an art magazine, independent publication, or exhibition photograph. To adapt to the frame, the sky, ground, or environmental background may be naturally extended, but the subject must not be stretched, distorted, or altered.

The lower half extracts the most recognizable subject, silhouette, posture, and narrative relationship from the photo, reconstructing it as a soft, hazy, atmospheric illustration with an Eastern framing order. Use a traditional Chinese architectural window form—such as a circular window, tracery window, leaking window, moon gate, fan-shaped window, hexagonal window, or geometric lattice—as the main structural frame, choosing the most suitable one based on the subject's form, without mechanical application. The subject, branch shadows, light spots, or abstract projections should appear, pass through, obstruct, or spill out from within the window shape, making the window frame both a fixed compositional order and a layer creating spatial depth between virtual and real.

Composition should emphasize visual focus, proportional relationships, positive/negative shapes, and the rhythm of empty space. The window shape need not be absolutely centered; it can be slightly offset, partially cropped, or suspended on one side of the canvas. The subject and light/shadow should form a primary/secondary relationship around the window, establishing a stable and poetic visual triangle through one main light area, one quiet empty space, and a few soft projections. Avoid even filling, excessive symmetry, and complex decoration, making the image appear simple yet possessing clear spatial order and a sense of breath.

The background is not fixed to deep blue, but instead extracts a {argument name="background color" default="very light, low-saturation, clean, and coordinated overall color from the original image"}, such as misty blue, pale cyan, light apricot, soft pink, gray-green, warm off-white, or very light purple-gray, creating a gentle yet clear brightness contrast between the background and the subject. Light and shadow are distilled from the most vibrant colors of the original image, which can be appropriately brightened and purified to form a soft warm-cool dialogue. Overall, avoid dirty grays, heavy dark bases, fluorescent colors, and harsh high contrast.

Texture uses delicate spray-painted grain, pastel powder, air-like soft focus, and diffused light, with naturally blurred light/shadow edges, carrying slight grain, dust, and color bleeding. The window panes themselves can be slightly clearer than the light and shadow, but still remain soft, without hard architectural outlines; let the image resemble sunlight casting through traditional window lattices onto a light-colored wall, gently blurred by memory and air.

Text intervenes as a tiny order within the composition, extracting from the photo's mood, time, action, temperature, or metaphor a {argument name="English title" default="very short English title"}, paired with a few location words, state words, or micro phrases. Text can be arranged along the window frame's edge, curve, axis line, or light/shadow empty space, forming alignment, wrapping, offset, or interspersed relationships with the window shape, using an extremely small font size, thin weight, and wide spacing to create a quiet, high-end editorial feel.

Overall, it presents an Eastern modern aesthetic composed of a light, breathing background, traditional window framing, soft colored light and shadow, spray-painted grain, virtual/real projections, and large areas of empty space. Regardless of whether the subject is a person, animal, plant, architecture, object, or natural landscape, it should maintain a clear correspondence with the upper photo while embodying a gentle, serene, transparent, poetic, healing, and high-end artistic temperament, avoiding cartoonishness, cheap filters, heavy dark tones, cluttered decoration, and template-like appearance.

Machine-translated — the original is what produced this result.

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