
Isometric Micro Model Poster
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Please create an independent high-design poster for each photo I upload, without combining multiple images; output each photo separately. Use a 3:4 vertical composition, with the upper and lower areas strictly 1:1 in height, each occupying 50% of the frame. The upper part retains the original photo, preserving the main structure, realistic texture, natural lighting, and original color atmosphere, with only slight advanced photographic color grading to give it the quality of art magazines, independent publications, and exhibition photography. To adapt to the frame, you can naturally extend the sky, ground, or environmental background, but do not stretch, distort, or alter the subject. The lower part extracts the most recognizable **subject, silhouette, posture, and narrative relationship** from the photo, reconstructing it into an exquisite minimalist isometric illustration, such as a miniature three-dimensional model or architectural sand table displayed on paper. Do not mechanically replicate photo details, but re-express the subject using summarized volume blocks, clear edges, concise hierarchy, and micro-scene relationships, so that it retains instantly recognizable identity characteristics while having a quiet, restrained, poetic editorial illustration quality. The overall composition logic uses **isometric perspective, miniature landscape, paper model feel**: the subject appears to be cut and placed on a small piece of paper or micro-base, with large areas of white space retained around it, establishing a sense of scale and solitude through volume contrast, edge cropping, slight projection, and a few tiny details. A very small amount of auxiliary elements can be added to support the subject, but must not form a second visual center. The color scheme is completely extracted from the original photo above, prioritizing the most recognizable, temperament, and representative colors of the subject, then **summarizing, purifying, softening, and unifying complex colors into a limited palette**. Preserve the original image's cool-warm relationships and color character, but reduce color noise and visual clutter, making the colors calmer, restrained, softer, and with a paper-based editorial illustration feel; distinguish volume blocks through same-color depth, adjacent color relationships, and a small amount of color difference, without arbitrarily adding fixed color schemes unrelated to the original image. Use fine ink lines, flat color surfaces, slight shadows, and paper grain to express structure and hierarchy. Text as part of the composition cleverly intervenes, extracting a {argument name="English title" default="short English title"} from the photo's theme, location, action, state, or emotion, accompanied by a very small amount of numbering, short phrases, or micro-annotations. The text maintains a thin, restrained, modern editorial feel, arranged along white space edges, subject bases, horizontal axes, or isometric structures, forming a quiet and exquisite typesetting rhythm together with the graphics. Overall, referencing **minimalist isometric illustration, miniature three-dimensional model, paper landscape, and high-end editorial design**, it presents a visual quality that is quiet, poetic, restrained, exquisite, and collectible. Avoid cartoon feel, high-saturation clashing colors, fixed color schemes unrelated to the original image, plastic 3D feel, complex scene accumulation, e-commerce feel, and template feel.
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