Geometric Abstract Dual-Layer Poster

Better logic for handling the following text:
Please turn each photo I upload into an independent high-end design poster, no multi-image collages, output each photo separately. The overall layout uses a 3:4 vertical composition, continuing the upper-lower dual-layer logic: the upper part is real photography, and the lower part is an artistic reconstruction based on subtext and meaning;

The upper part retains the original photo, maintaining the subject's identity, structure, posture, realistic texture, natural lighting, and original color atmosphere, only applying subtle high-end photography color grading to give it an art magazine, independent publication, and exhibition photography quality. To fit the frame, the environmental background can be naturally extended, but the subject must not be stretched, distorted or changed.

The lower part extracts the most recognizable subjects, outlines, postures, narrative relationships, and emotional metaphors from the photo, not only reproducing 'what is seen' but also understanding 'what the original image is hinting at, symbolizing, or reminiscent of', and then reconstructs it into a {argument name="视觉风格" default="几何极简、诗意浪漫、但结构严谨"} graphic scene. Do not completely trace the original scene or copy realistic details, but only retain the core theme and visual logic that best establish the spirit of the original image, translating complex information into a small number of clear and meaningful shapes, paths, landscapes, architectural feel, spatial layers, or symbolic objects, making viewers feel the same origin as the original image at a glance while sensing the elevated fable-like and poetic feel.

The composition should be based on geometric order and rational structure, with a rigorous feel similar to Leonardo da Vinci: emphasizing proportion, axes, perspective, primary-secondary order, block relationships, path guidance, and spatial balance. The subject can be transformed into simplified mountain forms, architectural forms, object forms, human forms, roads, platforms, domes, arches, discs, tree forms, or other symbolic geometric shapes, building a quiet yet romantic 'conceptual landscape' through a few key elements. The lower part should have a large amount of light-colored white space and breathing room, with complex backgrounds actively reduced, leaving only the necessary fields that support the theme and meaning, allowing the blank space, distance, and order itself to participate in the narrative.

The visual language uses geometric flat graphics with soft handmade quality: shapes are clear and summarized, edges are restrained, details are simplified, allowing slight paper feel, powder feel, or printmaking feel, but avoiding sticker feel, 3D feel, realistic feel, and over-decoration. The overall picture has both the simplicity of modern graphic design and the poetic romance of narrative illustration, like a dream map, memory landscape, or fable diagram constrained by rational structure.

The color scheme continues the current logic: overall using {argument name="色调" default="柔和、通透、略微去饱和的高级色系"}, with extremely light, clean, near-white light-colored backgrounds as large breathing fields. Use {argument name="主色调" default="浅粉蓝、雾蓝、天空蓝、空气感冷调蓝"} to create the main atmosphere, then balance with ivory white, cream white, light beige, soft gray-green, architectural neutral colors; a small amount of blush pink, soft peach, dusty rose, or muted blush can be added as local highlights, giving the picture more healing feel, poetry, and refined layers. Avoid dirty gray, overly strong contrast, high-saturation clashing colors, and cheap retro feel.

The text does not preset fixed titles, numbers, locations, or languages, nor does it create menu-style information. Based on the photo's theme, emotion, meaning, memory, or cultural context, freely generate a very small amount of truly meaningful words, phrases, or fragments, and naturally enter the blank areas through high-end editorial typography. The text should be small, light, restrained, and refined, and can be arranged along axes, edges, paths, or around the subject, like annotations, inscriptions, or observational phrases in independent publications, forming a quiet and clever relationship with the geometric composition.

The overall temperament should be like an independent-published art travel publication or visual fable manual: minimal, poetic, romantic, rational, restrained, with geometric order and conceptual beauty. Avoid complete realistic landscapes, information overload, complex decoration, overly full subjects, overly solid backgrounds, template poster feel, e-commerce illustration feel, cartoon feel, and cheap collage feel.

Machine-translated — the original is what produced this result.

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