Sydney Opera Risograph Poster

One poster, 3:4 vertical canvas. Split into two roughly equal zones — a realistic photograph on top, a printed reconstruction below — divided by one clean sharp horizontal line. The structure must not be stretched, warped, tilted or repositioned unnaturally.

TOP HALF — THE REAL SHOT
{STRUCTURE DESCRIPTION}. {PLATE LIGHT}. Preserve the structure faithfully: same architecture, proportions, perspective, distinctive details, natural light and shadow. Add only a subtle high-end color grade and the faintest film grain. Never redesign or reinterpret the architecture.

BOTTOM HALF — THE PRINTED RECONSTRUCTION
Rebuild the same structure as a two-color risograph zine print: bold flat spot-color shapes (one deep ink layer plus the structure's muted colors as a second spot layer), visible misregistration offsets between the layers, drum streaks, coarse layered ink-grain, halftone texture from overlapping dots, a zine masthead bar, two staple marks and paste-up edges. The photograph dissolves outward into flat spot-color shapes, misaligned layers and grainy ink. The structure must remain immediately recognizable. {PLATE DENSITY}.
Texture: cheap zine paper, layered soy ink, misregistration, drum streaks, folded-edge wear, cut-and-paste edges, restrained crop marks, one small fluorescent red calibration bar. Color: cream zine paper, black ink, one deep spot color, the structure's original muted colors, a single fluorescent red accent. Never fully desa

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