Perler Bead Pixel Infographic Poster

Generate a 16:9 landscape infographic poster.

Theme: {argument name="theme" default="Pan Jinlian"}

Must cover knowledge points:
[Knowledge Point 1]
[Knowledge Point 2]
[Knowledge Point 3]
[Knowledge Point 4]
[Knowledge Point 5]
[Knowledge Point 6]
[Knowledge Point 7]
[Knowledge Point 8]

Visual style definition:
This is a 'Perler beads / fuse beads / pixel bead array' style structural flat infographic poster. The image consists of a large number of regularly arranged circular plastic Perler beads, each with a clear circular border, slight center concave point, uniform spacing, low-saturation plastic texture, and stable grid order. The overall must maintain a frontal flat composition, like a public cultural infographic poster made of Perler beads, not toy photography, 3D model, cartoon illustration, or ordinary pixel art.

Core composition:
Compress the [theme] subject into a large-scale monochrome Perler bead image field, not a complete realistic object, centered illustration, or icon collection. The subject must rush in from the edge of the frame, cross the page boundaries, and be cropped, like a larger Perler bead medium image fragment entering the paper. The subject occupies the main visual weight but is not completely presented; the audience must reconstruct the theme through contours, directions, missing areas, bead density, and local textures.

Subject form:
The outer edge of the subject shows low-resolution Perler bead steps, block breaks, hard-cut gaps, pixelated jagged contours, missing bead cross-sections, and sampled rough boundaries. Smooth silhouettes, complete icon outlines, and realistic details are prohibited. The subject's interior uses only different brightness beads of the same theme structure color, forming low-contrast image fragments, halftone noise, scan particles, material residuals, archive textures, and local density changes.

Background and negative space:
The background uses high-brightness light-colored bead base field, close to unprinted paper surface, light beige plastic base plate, or light gray-white bead array. The background is not a decorative base color but actively cuts into the subject, forming large holes, tortuous channels, quiet text windows, reading pause zones, and knowledge point containers. The blank must be like air, like a blade edge; it provides breathing space and cuts the subject structure. Large blocks of light base and large blocks of theme structure color must mutually invade, not simply partitioned top and bottom, not becoming ordinary background.

Color system:
Use strict three-layer functional color scheme, no average coloring allowed.

First layer: Light base field
Area ratio approximately 60%–70%. Function is breathing, cutting, pausing, and carrying text windows. Colors can be old paper white, light beige white, cool gray-white, light blue-white, or light warm gray.

Second layer: Theme structure color
Area ratio approximately 25%–35%. Function is to form the subject, create spatial pressure, express theme emotion and material semantics. Colors must be chosen based on [theme], for example, cool themes can use deep blue, ink green, gray-purple, graphite color; warm themes can use ochre red, earth orange, brown-black, dark gold. Within the structure color, bead brightness differences can express grain density and image residuals.

Third layer: High-contrast information color
Area ratio approximately 3%–6%. Function is titles, numbers, times, annotations, institutional information, legends, footnotes, and key knowledge point markers. Information color must be small, sharp, clear, and can use red, black, bright blue, fluorescent orange, or high-purity cyan. Information color cannot spread as decorative color.

Infographic system:
Convert all [Knowledge Point 1] to [Knowledge Point 8] into Perler bead information nodes, not using ordinary icon stacking to explain. Each knowledge point is presented in one of the following forms:
- Small numbered label
- Micro annotation box
- Perler bead legend block
- Coordinate line
- Time scale
- Scale bar
- Direction arrow
- Archive index number
- Local texture description
- Edge marker point

Information nodes must be distributed along white windows, color field boundaries, cut nodes, subject gaps, negative space channels, and bottom edges. The number of information nodes is 8, corresponding to 8 knowledge points. All information nodes must have a hierarchical relationship: main title largest, core concept secondary, knowledge point labels smaller, footnotes and numbers smallest. Information nodes cannot cover the subject center and cannot destroy the large color field structure.

Reading path:
Build a jumping reading path: upper small markers → sideways main title → subject edge knowledge points → negative space annotation window → bottom footnotes and legends. The image must satisfy both long-distance identification and close-up reading: from a distance, it is a strong large Perler bead image fragment; up close, it is a precise, ordered knowledge information system.

Font and text:
Use narrow modern sans-serif fonts, Swiss-style sans-serif, square clear skeleton fonts, or monospace metadata fonts. Font strokes are uniform, spacing is restrained, and hierarchy is precise. Main titles are like public cultural information coordinates, small text like archive metadata index. Text must be arranged in white windows, boundary nodes, and bottom information bars, not pressed on the subject center. Chinese text must be clear, short-sentence, label-like, avoiding long paragraphs.

Perler bead material:
All visual elements are composed of Perler beads. The bead surface has a matte plastic texture, with slight manufacturing unevenness, weak granularity, fine wear, and low-contrast surface differences. Within the structure color area, halftone bead density changes, scan output feel, old paper unevenness, and spot color overprint feel can appear. Information color beads must have sharp edges, clear contrast, and accurate positioning.

Machine-translated — the original is what produced this result.

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