Artistic Memory Sticker Poster

Please make each of my uploaded photos into an independent high-design poster, no multi-image collages, output each photo separately. Use a 3:4 vertical format, following the upper and lower dual-layer logic: the upper half is real photography, the lower half is a graphic reconstruction based on selective memory, with natural correspondence between the two.

The upper half retains the original photo, maintaining the subject's identity, structure, posture, real texture, natural lighting, and original color atmosphere, only applying slight high-end photographic color grading to give it an art magazine, independent publication, and exhibition photography feel. To adapt to the format, the environmental background can be naturally extended, but no stretching, distorting, or changing the subject.

The lower half extracts the most recognizable subjects, outlines, postures, and narrative relationships from the photo, reconstructing in a 'selective memory' rather than descriptive realistic way. Do not completely depict the photo; only retain the most memorable visual cues, compress complex scenes into 3–6 large shape blocks, reorganizing with matte gouache, cut-paper collage, Risograph and screen printing-style flat coloring, so the subject is still recognizable at a glance, while having distinct modern graphic composition and handmade texture.

The lower half uses the main visual + six memory stickers composition logic. The main visual undertakes the main narrative and visual focus; additionally, six memorably valuable partials are selected from the original photo—could be subject features, actions, partial structures, plants, objects, transportation methods, food, patterns, materials, lighting, or some accidental detail—each refined into six independent stickers. The stickers use thick light-colored cut edges, naturally laid out in different scales, staggered distribution, forming loose two rows, edge gathering, or asymmetric relationships around the main visual, maintaining enough blank space, not arranged in a neat product catalog style. Among the six stickers, there should be clear primary and secondary, and size variations, like fragments cut from the same memory, not six equally important icons.

Composition values visual focus, block proportions, scale contrast, positive and negative shapes, front and back occlusion, and blank rhythm. The main visual should be significantly larger than the sticker fragments, stickers can partially cross boundaries, slightly rotate, offset from each other, or echo the subject, but cannot snatch the main focus. Complex environments are actively reduced, making large areas of quiet base color become breathing space, so the whole has both graphic order and a relaxed natural collectible album feel.

Materials use opaque gouache, cut paper, Risograph or screen printing-style color blocks, retaining slight powdery edges, paper grain, handmade cut edges, and misregistration. The stickers and main visual use the same material language, avoiding watercolor bleeding, complex brush strokes, dense line art, realistic textures, smooth vectors, and 3D plastic textures.

Color scheme is based on soft, transparent, slightly desaturated high-end color systems, can be adjusted by extracting comprehensive color temperature from the original image, but overall maintaining light and unified. Use {argument name="main color" default="light pink-blue, fog blue, sky blue, air-feeling cool blue"} to create the main atmosphere, then use {argument name="auxiliary color" default="ivory white, cream white, light beige, soft gray-green, architectural neutral colors"} to maintain balance; only allowing a small amount of {argument name="accent color" default="dusty rose or muted blush"} as tiny accents, for flowers, clothing, small signs, awnings or partial decorations, making the picture both breathable and exquisite layered.

Text does not preset fixed titles, numbers, locations, or languages. Freely generate a very small amount of truly meaningful text based on the subject, action, environment, emotion, sound, memory, or cultural context of the photo, and let it naturally enter blank spaces, sticker gaps, or main visual edges, forming an editorial layout relationship with the graphics. The text should be small, light, restrained, not a menu-style information bar, nor labeling each sticker one by one.

Overall like an independent published visual travel handbook, personal memory album, and high-end sticker art page: quiet, modern, sharp, relaxed, with both professional graphic order and retaining the warmth of collage, collection, and handmade materials. Avoid sticker product catalog feel, six-grid, equal-size arrangement, complete realistic landscapes, dense details, commercial postcard templates, cartoons, anime, and e-commerce material feel.

Machine-translated — the original is what produced this result.

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