Artistic Memory Collage Poster

Please create a separate high-design poster for each photo I upload, without multiple images combined; each photo should be output individually. Use {argument name="aspect ratio" default="3:4"} vertical composition, maintaining a dual-layer logic: the upper part as real photography, and the lower part as a painterly distillation of the original image's core imagery, forming a correspondence between reality and memory.

The upper part retains the original photo, maintaining the subject's identity, structure, posture, realistic texture, natural lighting, and original color atmosphere, with only minor high-end photographic color grading to give it the quality of art magazines, independent publications, and exhibition photography. To adapt to the frame, the environmental background can be naturally extended, but the subject must not be stretched, distorted, or changed.

The lower part extracts the most recognizable **subject, silhouette, posture, and narrative relationship** from the photo, further identifying the core theme, visual metaphor, or aesthetic relationship that truly makes the original image work, and recreates only this most memorable information layer. Do not fully replicate the scene, do not pursue background restoration, and do not convert all objects into illustrations one by one; actively delete irrelevant environment and trivial details, leaving only one core subject and very few relationships that truly participate in the narrative, making the image like a reorganized visual memory.

The lower part uses an **extremely light background and large areas of negative space** as the main space. The background color is not fixed; it intelligently matches a very light composite color close to white based on the original image's comprehensive color temperature and emotion, which can be slightly warm, slightly cool, or with a very slight hue, but must be light, clean, and quiet. The blank space itself carries air, distance, time, and emotion, allowing the subject to have ample breathing room.

Composition emphasizes **visual center of gravity, scale relationships, negative space, directional tension, and incomplete symmetry**. The subject can be offset, partially cropped, suspended, or placed in a low center of gravity area, establishing aesthetic appeal through size contrast and large negative spaces. If the original image's true moving point is the relationship between human and space, object and environment, the distance between two objects, or some accidental relationship, this relationship should be prioritized over depicting the objects individually.

The painting language uses relaxed, naive, and artistically appealing **opaque gouache, acrylic, pastel, and dry oil paint textures**, shaping the subject with summarized color blocks, hand-drawn outlines, partial scraping, overpainting, and incomplete filling brushstrokes. Forms are allowed to be slightly clumsy and with minor proportion exaggerations, but the subject's identity and key postures must be accurate. The image retains real painting's pauses, modifications, exposed grounds, and accidental traces, avoiding overly polished smoothness.

Color extraction from the original image takes the comprehensive color temperature and the most vibrant colors, then translates them into a **warm, bright, slightly naive artist's palette**. Overall, using {argument name="main colors" default="cream yellow, apricot, pink-orange, coral pink, old rose"} and other warm color blocks, forming a relaxed cool-warm collision with {argument name="contrast colors" default="sky blue, light cyan-green, mint green, gray-green"} and other cool tones; allowing a very small amount of brick red, orange-red, deep green, earth brown, or black as visual anchors. Colors do not have to fully obey real objects; partial color changes, wrong colors, and jump colors can be applied according to the image's rhythm, but overall harmony must be maintained. Color blocks should have a powdery, opaque, slightly faded yet still fresh feeling, avoiding Morandi-style overall desaturation, unified pastel filters, dirty brown, and high-saturation digital colors.

Text does not preset fixed titles, locations, numbers, or languages; it freely generates a very small amount of truly meaningful words, phrases, short sentences, or fragments based on the original image's theme, action, environment, emotion, sound, memory, or metaphor. Text can naturally enter negative space like part of the painting, be close to the subject, extend along the spatial direction, and even retain a small amount of handwritten, misaligned, or not completely neat feeling; overall, it remains restrained, not mechanically adding information just to 'look like a poster'.

Overall pursuit of **extremely light background, huge negative space, few subjects, fresh and warm color relationships, naive hand-drawn feel, and clear visual metaphors**. The image should be quiet but not bland, healing but not cloying, artistic but not pretentious, like an independent publication hand-painted by an artist. Avoid full scene replication, background filling, object listing, unified pastel filters, refined commercial illustrations, smooth vectors, cartoon templates, and adding meaningless elements for richness.

Machine-translated — the original is what produced this result.

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