Modern Geometric Mosaic Collage Poster

Please turn each photo I upload into an independent high-end design poster, no multi-image collages, output each photo separately. The overall layout uses a 3:4 vertical composition, continuing the upper-lower dual-layer logic: the upper part is real photography, and the lower part is a geometric reconstruction of the original image's core imagery, with the upper and lower parts forming an echo between reality and memory.

The upper part retains the original photo, maintaining the subject's identity, structure, posture, realistic texture, natural lighting, and original color atmosphere, only applying subtle high-end photography color grading to give it an art magazine, independent publication, and exhibition photography quality. To fit the frame, the environmental background can be naturally extended, but the subject must not be stretched, distorted, or changed.

The lower part extracts the most recognizable subjects, outlines, postures, and narrative relationships from the photo, further judging the core theme, visual metaphor, or aesthetic relationship that truly establishes the original image, and only retains this layer of most memorable information for re-creation. Do not completely replicate the scene, do not pursue realistic tracing, and do not convert all objects into illustrations one by one; actively delete irrelevant environments and fragmented information, leaving only one core subject and a very small number of relationships that truly participate in the narrative.

The style logic uses {argument name="重构样式" default="几何构成 + 智能马赛克重组"}. Compress the subject and space into clear geometric blocks, rectangular units, thin line frames, and layered grids, reconstructing the picture in a modular, architectural, pixelated but designed and organized way. Not random pixelation, but intelligent summarization based on the subject's structure: large forms maintain clear outlines, small details are translated into ordered color blocks, grid points, slices, stepped edges, and local stitching relationships, giving the picture both a rational decomposition feel like a mosaic and still being instantly recognizable as the original theme. A moderate amount of local axes, alignment lines, boundary boxes, white space divisions, and a few decorative geometric details can be added to form a high-end editorial design and architectural diagram feel.

The lower part uses an extremely light background and large white space as the main space. The background color is not fixed, and intelligently matches a near-white extremely light comprehensive color based on the original image's overall color temperature and emotion, which can be slightly warm, slightly cool, or with a very slight hue, but must be light, clean, and quiet. The blank space itself serves as air, distance, and breathability, making the geometric subject stand out more.

The composition emphasizes visual center of gravity, proportion relationships, negative space, module rhythm, alignment order, and incomplete symmetry. The subject can be offset, suspended, fall in a low center-of-gravity area, or aggregate toward the center from multiple geometric levels; if the most moving part of the original image is a relationship—such as the scale between human and architecture, the juxtaposition of object and environment, or the echo between partial structures—this relationship should be prioritized and reinforced through geometric blocking and mosaic structure, rather than evenly spreading across the picture.

The color scheme maintains your current preferred logic: extract the overall color temperature and most vibrant colors from the original image, then translate them into a {argument name="色盘风格" default="温暖、明快、略带稚拙感的艺术家色盘"}. Overall, use warm color blocks like cream yellow, apricot, pink-orange, coral pink, old rose, and cool colors like sky blue, light cyan-green, mint green, gray-green to create a relaxed cold-warm contrast; allow a very small amount of brick red, orange-red, deep green, earth brown, or black as visual anchors. Colors do not have to completely conform to real objects; local color changes, errors, and jumps can be made according to the picture's rhythm, but overall harmony must be maintained. Color blocks should be flat, clean, and restrained, avoiding dirty gray, uniform filter feel, and high-saturation digital colors.

The text does not preset fixed titles, locations, numbers, or languages, and based on the original image's theme, action, environment, emotion, or metaphor, freely generates a very small amount of truly meaningful text. The text can be part of the layout system, placed in the blank area, bottom center, corners, or between geometric divisions, using thin, restrained, sparse typography, forming an echo with the geometric structure; overall keeping it small, light, and quiet, not mechanically applying templates.

The overall temperament should be like a combination of architectural diagrams, art maps, modern collage posters, and high-end editorial design: quiet, rational, refined, modern, while retaining memory-based extraction and color temperature. Avoid complete scene replication, random pixelation, sticker logic, complex textures, smooth 3D, cartoon template feel, and adding meaningless elements for enrichment.

Machine-translated — the original is what produced this result.

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