Isometric Mini Architectural Landscape Poster

Please create a separate high-end design poster for each photo I upload, without multiple image collages, output each photo individually. The overall composition is 3:4 vertical, with the upper and lower two areas having a strict 1:1 height ratio, each occupying 50% of the frame.

The upper half retains the original photo, maintaining the subject's identity, structure, posture, real texture, natural lighting, and original color atmosphere, with only slight high-end color grading to give it the texture of art magazines, independent publications, and exhibition images. To adapt to the aspect ratio, the environmental background can be naturally expanded, but the subject must not be stretched, distorted, or changed.

The lower half extracts the most recognizable **outline, structure, posture, and narrative relationship** of the subject from the photo, reconstructing it into a set of **3D miniature architectural landscape** style minimalist art scenes: presented in **isometric view / cut cube composition / perspective of an underwater continental shelf**, where the subject is like a dissected miniature three-dimensional scene with correct isometric view and clear spatial hierarchy. The overall core semantics are **miniature lighthouse landscape**, which can be flexibly translated based on the original subject characteristics, but must retain immediately recognizable identity and original narrative relationship.

The lower half is not a realistic illustration, but an abstract expression compressing the subject into **simple geometric shapes, flat color blocks, fine lines, and blank space**; on the basis of minimalism, it retains moderately rich structural details, making the image have both architectural diagram and artistic poster feel. The subject should be like a miniature three-dimensional model placed on white textured paper, with **hand-drawn architectural illustration** temperament: fine lines, clear layers, restrained and accurate details, avoiding heavy realistic rendering.

Clear **scaffolding logic** is added to the image, referencing the images you provide: scaffolding is not random decoration, but should serve as a rational system wrapping, supporting, constructing, or intervening in the subject structure, jointly forming spatial order with the subject. The scaffolding can be composed of fine horizontal, vertical components and local connection nodes, unfolding around the subject's outer contour, key transitions, or three-dimensional sections, presenting a feeling of "being constructed, repaired, surveyed, or displayed"; the view must be accurate, with clear perspective relationships, not drawn as floating collages.

The composition maintains **subject-centered, balanced, orderly, and restrained**, and enhances the sense of space through a small number of horizontal lines, vertical composition lines, circular elements, or section boundaries. The background uses **white textured paper or very light beige paper surface**, clean, quiet, without shadows or only very weak structural layers, no heavy projection. Retain large areas of blank space, making the subject appear suspended in an exhibition catalog or architectural research poster layout.

The color scheme draws inspiration from the upper photo, but needs to be reprocessed into **brighter, clearer, healing, and vibrant** high-end color systems, rather than directly copying the original color values. After retaining the hue clues of the original image, appropriately brighten, purify, and remove gray to make colors more vivid and lighter; it can form a comprehensive color relationship of clear blue, lake cyan, tender green, bright yellow, coral orange, peach pink, pale purple, etc., establishing refined layers through warm-cool contrast and brightness rhythm. Avoid gray, dirty, dull, aged, Morandi-style, cheap candy colors, and plastic texture.

A small amount of text intervention is allowed, adding concise English titles, numbers, or years, and forming a natural typographic relationship with the subject, scaffolding, or blank space. The text should be exquisite, modern, and restrained, like editorial annotations in international design studios, architectural posters, art exhibition posters, and high-end brand visual systems, not overwhelming.

The overall style presents a **high-end, modern, elegant, restrained, and artistic** visual effect, integrating miniature three-dimensional landscapes, architectural cross-sections, isometric views, scaffolding systems, and minimalist poster layouts. Avoid over-filtering, cheap plastic texture, cartoonish feel, strong computer-generated feel, template effects, incorrect views, and illogical decorative structures.

Machine-translated — the original is what produced this result.

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