Kyudo Archery Anime Character Sheet

[What will be created this time]
Using the one full-body reference image attached with this instruction document as the only character reference, convert it into a high-quality anime character wearing elegant Kyudo attire while maintaining the same character. Create one 1:1 square practical character sheet that can be used for sharing and for stable reference of character, attire, body type, and basic color scheme in subsequent video generation. The stage setting is not handled by this sheet.

[Character Reference]
Image A = one full-body reference image. Maintain the facial features, eyes, contour, nose, mouth, hairstyle, hair color, bangs, parting, body type, head-to-body ratio, shoulder width, waist position, leg length, overall proportions, and character impression of Image A. Age and gender are not fixed by text but inherited from Image A. Do not perform excessive beautification, rejuvenation, becoming someone else, face shrinking, body type changes, or excessive leg lengthening.

[Anime Conversion]
Regardless of whether the reference is live-action or illustration, unify the completed character into a high-quality anime style. Convert it so that the face, hair, body, and attire naturally establish as the same anime drawing, not a half-hearted expression with a remaining live-action feel.

[Hairstyle]
Basically maintain the hairstyle, hair color, bangs, parting, and facial framing of Image A. For short hair to shoulder length, keep it as is in principle; only for long hair that hinders Kyudo movements, while maintaining facial characteristics, naturally gather it at a low position near the neck. Do not add large buns, high ponytails, or ornate hair accessories not present in the reference.

[Kyudo Attire and Equipment]
Do not make it look like simple practice wear; arrange it as Kyudo Japanese-style attire with composure and elegance suitable for competition or demonstration. Based on white upper garment, black to dark blue hakama, obi, and white tabi, carefully depict fabric overlapping, creases, sleeves, and the fall of hakama.
The chest guard should be consistent across all three views (front, side, back) as the same equipment, with fixed strings and support structures naturally continuous. Do not change the presence, shape, position, or fastening method of the chest guard between the three views.
**The yugake (bow glove) and wrist equipment are worn only on the right hand. The left hand does not wear the yugake in all three views. In the front view, the left hand holds the Japanese bow, and the right hand wears a brown to yellowish-brown yugake. In the side and back views, always maintain the yugake on the same right hand; do not perform changes like left-right reversal, switching hands, side view only bare hand, back view only addition. Make the shape, color, and wrist structure of the yugake consistent across the three views. Do not use purple, blue, or vivid accent colors.**Clearly depict the Japanese bow as a yumi, and only in the front full-body view, have it naturally held in the left hand. In side and back views, remove the bow to make it easier to read the character, hair, and attire structure.

[Sheet Composition]
Align the front full-body, side full-body, and back full-body with the same character, same attire, approximately same scale and foot line, and display from head to toe without omission. It is okay to make the front full-body slightly larger, but do not treat the side and back as small ornaments. Treat the three full-body views as the main subject of this sheet, and complete character information with these three. Do not include face close-ups.

[Color Bar]
In the bottom margin, place one narrow, long, horizontal 4-color proportional color bar extracted from the completed character in white series, black to dark blue series, warm color series of yugake, and dark brown series of hair or Japanese bow. Treat it as an auxiliary element to reinforce the character's basic color scheme, making it less conspicuous than the character. The bar should be low in height and long horizontally, not appearing as thick color samples or independent UI parts. Divide the 4 colors to reflect the overall color ratio of the character, and do not add color names, HEX codes, descriptive text, or icons.

[Design and Layout]
Unify the design to look like the same series as the stage setting sheet. The background is light gray close to white. Place the title "KYUDO CHARACTER SHEET" in the upper center, with thin horizontal lines on the left and right. Align the three full-body views (front, side, back) in the center, and place the narrow proportional color bar at the bottom. Create designability through the balance of margins around the character, alignment of three views, title, thin lines, and bottom color bar, without adding decorative elements to make it ornate.

[Prohibitions]
Do not include face close-ups, numerous expression variations, action pose collections, overly small side and back views, stage backgrounds, long setting texts, text other than title, text-integrated decorations, thick large color samples, independent color chips, excessive Japanese patterns, family crest, bow and arrow icons, etc., wrist accents in purple, blue, etc., **yugake wearing on left hand, expressions where the hand wearing yugake changes between three views**, fantasy-ification, equipment unrelated to Kyudo, becoming someone else, changes in hairstyle, body type, attire, or equipment between three views.

[Priority]
1. Character identity 2. Consistency of three full-body views and video reference practicality 3. Maintenance of body type and overall proportions 4. Kyudo attire, chest guard, and right-hand yugake consistent across three views 5. Natural anime conversion 6. Clarity of basic color scheme 7. Unified sharing design with stage setting sheet

[What will be created this time]
Create one high-quality anime-style Kyudo dojo stage setting sheet that can be used as background and space reference in subsequent video generation. It does not handle character identity or Kyudo attire fixation; organize the same Kyudo dojo as the background for the three main directions used in the video.

[Input Items]
Aspect ratio: [1:1]
If not entered, set to 1:1.

[Basic Policy]
Prioritize practicality and reproducibility, unifying all three views as the same Kyudo dojo. Match wood, pillars, floor, walls, ceiling, roof, target area, direction of light, time of day, and color tone, not changing to different facilities, buildings, or designs. Fix to high-quality anime background art, clear natural light from morning to daytime, and a quiet, calm Japanese atmosphere. Do not draw characters.

[3-View Composition]
1. Upper main view: Reference view of the entire Kyudo dojo from the shooting area looking towards the target. Use the upper section largely, with a composition that clearly shows the line of sight, distance, depth, and left-right architectural structure from the shooter position to the target area, highly frontal.
2. Lower-left view: Side background when the shooter is photographed from the side, entering behind the character. Set the camera almost facing the side wall of the shooting area, centered on wooden floor, plaster walls, vertical pillars, and horizontal beams in a flat background. Ensure a wide blank wall surface where the character can be placed sideways. Do not include compositions showing a corridor in the depth, strong perspective, targets, windows, or central recessed wall structures.
3. Lower-right view: Front background when the shooter is photographed from the front, entering behind the character. Increase left-right symmetry, and place a rectangular blank wall surface one level recessed in the center surrounded by pillars and horizontal beams. Ensure sufficient space in the central area to place the character facing front, and neatly summarize the left and right with plaster walls and wooden parts. Do not include windows, hanging scrolls, framed art, or text decorations. Do not make it the same simple flat wall as the lower-left; clearly distinguish it as front background with a shallow depth in the center.

[Text Elements]
Do not include any text within the stage space. Do not place hanging scrolls, framed art, signs, tags, notices, slogans, calligraphy, or text-integrated decorations. Only use the title "KYUDO STAGE SETTING SHEET" in the upper center of the sheet, and do not include descriptive labels or numbers within each view.

[Layout]
Place the title and thin horizontal lines in the upper center. Place one main view in the upper section, and in the lower section, place the side background and front background in two left-right columns of the same size. The sheet background is light gray close to white. Organize the margins and minimize decorations.

[Prohibitions]
Do not include architectural changes between the three views, changing to a different facility, lower-left corridor and diagonal perspective composition, same composition for lower left and right, target placement on side walls, characters, windows, readable text, text-integrated decorations, atmospheric shots with unclear roles, excessive Japanese-style expression, overly dramatic backlighting, dark lighting, or numerous additional views.

[Priority]
1. Consistency of three views as the same Kyudo dojo 2. Shooting area-target relationship in the upper view 3. Lower-left = flat side background 4. Lower-right = front background with shallow depth in the center 5. Clear structural difference between lower left and right 6. Reproducibility as video reference 7. Organized feel as a sharing sheet

Machine-translated — the original is what produced this result.

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